Are you guys kidding? Blues is incredibly formulaic. It's generally the same chord progression, and each song is just a framework. Verse, chorus, vamp for improv, and big ending. What kills me are the solos...every single blues "artist" I've heard stays within the blues chords, or if they vary, they end up bending the notes by the end to slip back inside the chord structure. The improv is just a bunch of notes strung together, and more important than the melody or notes played are the pacing. If you sneak a bit of another song in there, you must be one of the better ones. Don't do it too often, though.
Rules of the Blues, According to a Pedant:
1. If you sing, have a voice that knows only whiskey and/or cigarettes. No Velvet Fogs, please.
2. If you play an instrument and are a solo blues 'artist', your weapon of choice must be electric guitar, saxophone, or Hammond. All other instruments are background.
3. There are only two tempos: mournful (but lusty) ballad, and up tempo disappointment, so that the white people have something to gyrate awkwardly to.
4. Be emotional secure, even though you're blue. Extrinsic tendencies are a plus, though not required. Emo is for indie/alt rock.
![http://www.plusfourdb.com/images/junk/flame.gif [Image: http://www.plusfourdb.com/images/junk/flame.gif]](http://www.plusfourdb.com/images/junk/flame.gif)
CAPS LOCK IS LIKE CRUISE CONTROL FOR COOL.
<crunchyfrog> Get off my yard.
You have to be on your toes at a ninja funeral.
People hate failed potential an order of magnitude more than they hate mediocrity.